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April 21 – A Dutch newspaper, the Dodgers, street photography, and the Pasadena Playhouse Gala.

I found out that some of the work I did for the Consulate of the Kingdom of the Netherlands was featured in a Dutch newspaper. Hidde, a friend and colleague, sent me a photo of the paper. I also found the article online, if you speak Dutch and want to get past the paywall.

A friend of mine invited me to a Dodger game. I took my Nikon F3 loaded with Kodak 400 T-Max. I took a few shots. Haven’t developed the roll yet. This started me carrying a smaller 35mm camera with me to more places, something photographers talk about all the time but I sometimes find a little burdensome. Carrying a camera around the grocery store, to the gas station, the post office…it seems a little odd. Then again, the great street photographers carried cameras and film with them always. They’d either roam the streets all day, or shoot in any spare moment they had.

More and more, I wonder about street photography. My stepdad had introduced me to the idea years ago, and we even attended one of the first exhibits of the work of Vivian Maier in Los Angeles. It seems like over the last six or seven years, especially on platforms like YouTube, street photography became more about content creation than actually decent photos. Content churner-outers are more emboldened to stick cameras in strangers’ faces, the idea of consent goes out the window fairly easily. The mystique of street photography lies in photography books. The now-forgotten names of the faces in the works of Vivian Maier, Elliot Erwitt, Robert Frank, and Diane Arbus, they peer out at us from another time. It’s easy to forget that they may not have consented to having their photo taken, while these were also eras when cameras weren’t so ubiquitous. No one was making content from street photography, because street photography didn’t pay. I’m not so sure it pays now since it doesn’t seem to be for anyone now, but for generations to come.

I’m in a swirl of photo editing from my steady stream of clients this month. I’ve been really happy with how much of the work has turned out, especially some of these shots from the Pasadena Playhouse annual gala. It was almost rained out, save for a set of elaborate clear catering tents. I put a prime lens on my DSLR and took advantage of the shimmer all around me from the raindrops falling on the enclosure.

Seasons, reaping, and sowing

The summer slump–that period between from somewhere in August to somewhere in September–has seemingly ended for me. August had a restless feeling. The sun suspended motionless in the afternoon sky. Clients all on vacation, so no work coming in. I did my best to keep the creativity in flow during the long, luxurious afternoons. Almost under our noses, the days begin to shorten. The sunsets come sooner. The mosquitos still manage to bite. Fall comes in.

Now I’m going back to client work. The first was at Angel Stadium in Anaheim for an event. A casual, yet extravagant, evening for wealthy donors to a non-profit held on the actual field of the stadium. I had to steal a quick selfie in the dugout, which was where I was to store my camera bag for the night.

I’ve been thinking of a clip I saw online of someone saying “you can’t always be in the reaping or harvest stage of life” and it really struck me. On some level, it’s something I already knew, but somehow never full had heard it articulated as such.

When I was younger, all I wanted was success. I had worked hard in college. Moved to the big city to pursue my dreams. Networked with the right people. I even made some really great friends. Yet, I was shocked that I wasn’t swimming in success. I knew I was talented and I knew I liked to work hard. So why weren’t opportunities falling from the sky? I waited for the phone to ring. I floated from day job to day job. For so many years I was focused solely on the reaping without really focusing on the sowing.

As a gardener, I knew this! I knew this as the years came and went, a few “somedays” came and went. Now, as I start booking my regular clients for fall events, I recognize that the only way I can do so confidently is because of seeds I sowed long ago. Seeds sown, by the way, in the face of personal adversity. I lost a relationship then, and friends of mine fell away. (I’m not saying you should sacrifice relationships to pursue a dream, but that is just how it played out for me.)

These are just reminders that there are indeed seasons to life. I may be having a harvest year of sorts, and it’s a good idea to think of planting new seeds as the year winds down. Lately, that has been reminding people around me that, while I am extremely grateful for my photography career, it is not the only thing I do. I’ve been playing and posting more music while looking for more opportunities to perform again.

A Garden in the Rain

A closeup photo of seed pods in the rain

” ‘Twas just a garden in the rain

Close to a little leafy lane

A touch of color ‘neath skies of grey…”

A Garden In The Rain (Carroll Gibbons / James Dyrenforth)

A very rainy week or so here in Southern California. One of my favorite times to take my Leica outside. Carefully, of course, as droplets are still dripping off of things.

I haven’t posted anything since last year, but feeling a sense of re-focus on creative pursuits. Pandemic life and political crises have occupied my mind almost non-stop since who knows when.

I know we aren’t in a clear space yet, but it’s nice to feel a storm has come to wash away and refresh.

A very familiar sunset

A beautiful sunset over the Colorado River in Parker, Arizona.
Sunset over the Colorado River in Parker, Arizona.

I wish I could be dancing in the streets right now after a very tense week of election stress. I’ve always found elections to be stressful but this one, of course, nearly pushed me to the edge.

I’m at the Arizona house to de-stress. Yes, that Arizona. And here watching a very familiar sunset again over the River. These sunsets that I’ve been watching since I was a small kid.

Sun setting over a dark and troubled time. Sun rising over a new day where the work is only begin. To heal. To begin anew.